Signature operatic roles: Violetta (La Traviata), Gilda (Rigoletto), Lucia (Lucia di Lammermoor) Musetta (La Bohème), Galatea (Acis and Galatea), Despina (Così fan Tutte), Blondchen (Die Entführung aus dem Serail), le Feu (L’Enfant et les Sortilèges) and the Rose (The Little Prince, world premiere). Opera houses include Houston Grand Opera, Wolf Trap Opera, Opera Theatre of Saint Louis, Kentucky Opera, Lyric Opera of Kansas City, Aspen Opera, and Chautauqua Opera. Conductors include Christopher Hogwood, Antony Walker, Patrick Summers, and Jane Glover. Recitals/concerts: Tanglewood Music Center, National Symphony Orchestra, Wolf Trap with Steven Blier, 53rd St. Library at MOMA, Chautauqua Institution, and Serenade Concert Series. Artistic Director of Shoestring Baroque, Artist in Residence at the historic Trinity Lutheran Church. Last season’s Shoestring Baroque concert included Ms. Reiersen-Parrish singing Handel’s Silete Venti and Schütz’ Kleine Geistliche Konzerte I (excerpts). This upcoming Shoestring Baroque season includes Bach BWV 80 and Pergolesi’s Stabat Mater (www.shoestringbaroque.org). Member of the highly acclaimed early music ensemble Voyces: solo highlights include Monteverdi’s Lamento della Ninfa, Magnificat for 6 Voices, L’Orfeo (Ninfa); Haydn’s Missa Brevis St. Joannis de Deo; Purcell’s Dido and Aeneas (1st Witch); Bach’s Magnificat (2nd soprano). Soloist with the historic Richmond Choral Society (RCS): highlights include Haydn’s Theresienmesse and Lord Nelson Mass, Handel’s Messiah, Dvořák’s Te Deum, Mozart’s Vesperae Solennes, and Bach’s Cantata No. 150. Competition / Career Grants Awards include 1st place Metropolitan Opera National Council Auditions (New York District), 1st place NATS Competition (twice), Opera Theatre of Saint Louis Richard Gaddes Award, Wolf Trap Career Award, and Dallas Opera Guild Vocal Competition Finalist. Voice BM and MM from Manhattan School of Music.